{"id":4654,"date":"2023-01-18T16:05:31","date_gmt":"2023-01-18T07:05:31","guid":{"rendered":"https:\/\/wps.itc.kansai-u.ac.jp\/ku-map\/?p=4654"},"modified":"2023-01-29T21:22:54","modified_gmt":"2023-01-29T12:22:54","slug":"%e3%83%9f%e3%83%a5%e3%82%aa%e3%82%b0%e3%83%a9%e3%83%95%e3%82%a3%e9%9f%b3%e6%a5%bd%e3%80%802023-3-21%e5%9c%9f%ef%bc%891500-1630","status":"publish","type":"post","link":"https:\/\/wps.itc.kansai-u.ac.jp\/ku-map\/?p=4654","title":{"rendered":"\u30df\u30e5\u30aa\u30b0\u30e9\u30d5\u30a3\u97f3\u697d\u3000\u30b0\u30e9\u30f3\u30d5\u30ed\u30f3\u30c8\u5927\u962a\u5317\u9928\u30a2\u30af\u30c6\u30a3\u30d6\u30b9\u30bf\u30b8\u30aa\u30002023.3.21(\u706b\uff0915:00-16:30\u3000"},"content":{"rendered":"\n
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      \u5bae\u6fa4\u65b0\u6a39\u3000\u89d2\u4e95\u5f18\u660e\u3000\u9152\u5dfb\u660c\u4ee3\u3000\u5ca9\u898b\u6276\u7f8e\u3000Ohtsuka Miki\u3000Okome\u3000\u7d00\u5b50\u3000\u77f3\u91ce\u3086\u3046\u3053 \u4ed6<\/p>\n\n\n\n

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\uff12\uff0eFederico\u2019s music\u3068\u30c8\u30fc\u30af
       \u3000MUOGRAPHY SYMPHONY<\/p>\n\n\n\n

\"\"
 Federico Iacobucci
  Pianist, composer and choir  Conductor<\/figcaption><\/figure>\n\n\n\n
\"\"
 Federico Iacobucci
  Pianist, composer and choir  Conductor<\/figcaption><\/figure>\n\n\n\n

  The Muography Symphony is a composition for large orchestra by the composer Federico Iacobucci, inspired by Muography and born from an idea of  Professor Hiroyuki Tanaka. It\u2019s the representation of the life of the particle called Muon in its journey through different situations, but it\u2019s also a transposition in music of the main aspects related to its scientific peculiarity and interactions with our world. Muons are high-energy particles that have a very short life, compared to our normal conception of lifetime. If we try to represent them with music and then \u201ctranslate\u201d them directly into sounds we should use range, intensity and durations that are completely out of the audible spectrum of waves. Also, doing this with a symphonic orchestra forces us to compose for a limited range of pitches.<\/p>\n\n\n\n

  The idea was to create a frame where muons are in the highest range of the orchestra while the matter is represented by other instruments in a different region of the score. I dilated considerably the time to produce a kind of effect that is assimilable to a picture that captures an instant. The result is a musical landscape where muons move inside of it within magma and other particles.  <\/p>\n\n\n\n

  Time is the fundamental dimension in music, without it sounds could not propagate. A constant beat is used in all the three movements. It\u2019s a sort of measurement line. Speed changes, accelerando and rallentando, are obtained through music notation. Every one of us has a subjective perception of the passage of time. The most peculiar property of music is that you can show the whole picture in the same time that you are painting it. It\u2019s like observing a large artwork in multiple sections, but the composer chooses the point of view from time to time. This form of art is very much appropriate to represent this scientific argument. The muon is the hero of this symphony and the solo clarinet supported by other high-pitched instruments represents it. Using a soloist gives more personality and distinction to our hero. He appears the first time in the first movement and he passes through different sets. The music tries to describe with sounds the interaction of the muons with the matter. In the first movement we can hear him interacting with a volcano; in the second he\u2019s playing through a pyramid; in the third movement he is transported by the cosmic rays in a travel across the space-time and then released by the impact with the atmosphere and finally detected by the muon detector. When the muon\u2018s sound is played it generates a sort of magnetic interaction with the matter\u2019s sound, also using an instrumental reproduction of the Doppler effect. The Doppler effect is something that we experience every day and it\u2019s not so difficult to reproduce with sounds. The challenge is to combine an expression of the Doppler effect with an expression of the relativity of time. For example, in the second movement as the speed of the notes increases concurrently the pitch and intensity of the muon sound decreases.

<\/p>\n\n\n\n

  In the score there are setted three lines of tempo to reflect that time differs depending on the speed an object is traveling at: one is the constant time, the observer time line; another is the muon\u2019s speed related to its personal time; the third is the environment time, related to the matter and the audience. When the muon sound is at its top level of energy and speed, the muon time is frozen and the \u201chuman\u201d time runs very fast. Then, while the muon tempo (tempo=speed) exponentially decreases the \u201chuman\u201d tempo increases and finally they meet again on the constant time. The part of the symphony that introduces this element is related to the pyramid, because it\u2019s a structure manufactured by human beings. In fact the movement is structured like a Scherzo (an humorous composition that is traditionally one of the movement of a symphony) in which the subjective feelings and perception of the human audience are positioned in the foreground.<\/p>\n\n\n\n

  Since Muography was born in the first half of the last century, under the suggestion of Prof. Tanaka, the ensemble uses a set of traditional instruments. To represent the high power energy of muons the solo clarinet plays mostly in its highest region, besides high-pitched instruments like crotales (upper octave) and glockenspiel. Crotales in particular have a very penetrating sound with a considerable long decay. To improve the high-energy effect of the muon these instruments are mixed with harmonics of the strings and the highest notes of harp, piano and glockenspiel. Also a bass drum, which can produce a very huge sound with a long decay, is used to represent the volcano eruption while temple blocks make a kind of metronome effect in some sections.<\/p>\n\n\n\n

\u00a0 The premiere of Muography Symphony was performed in 2018 at the Agnelli Hall of the Italian Institute of Culture in Tokyo and in 2019 (excerpts) at The Symphony Hall in Osaka.<\/p>\n\n\n\n

\u3010Google\u7ffb\u8a33\uff0b\u4fee\u6b63\u3011<\/p>\n\n\n\n

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Muography Symphony \u306e\u521d\u6f14\u306f\u30012018 \u5e74\u306b\u6771\u4eac\u306e\u30a4\u30bf\u30ea\u30a2\u6587\u5316\u4f1a\u9928\u306e\u30a2\u30cb\u30a7\u30c3\u30ea \u30db\u30fc\u30eb\u3067\u30012019 \u5e74\u306b\u5927\u962a\u306e The Symphony Hall \u3067\uff08\u629c\u7c8b\uff09\u4e0a\u6f14\u3055\u308c\u307e\u3057\u305f\u3002<\/p>\n","protected":false},"excerpt":{"rendered":"

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